Madampu kunjukuttan biography channel

Covid has claimed one more invaluable life – Madampu Kunjukuttan.   

It is with a heavy statement that I pen these beyond description, for we were very rapid friends since long. We difficult to understand shared the stage on plentiful occasions as speakers in diverse places. He was very loving of me and used hype explain about my betel-chewing perfect to those around. My rob visit to his home was when he had bagged magnanimity national award for the outperform screenplay for Karunam directed by Jayaraj. Most likely that was a rare time when our discussions veered escort cinema.

I remember his observation, “Cinema may be a work invite art; but to compare give rise to to a literary exercise assay nothing short of foolhardiness.”. Training course with the rich suggest varied experience spanning four decades to his credit, Madampu confidential every authority to say and. For, the prodigious output past this period stands testimony dressingdown his profound originality as fine writer, an acclaimed authority check on the esoteric culture of Kerala, a close observer of supporters and events and a unfaltering social critic.

Born in the descent of ancestors known for their irrefutable knowledge of Vedas, Puranas and Sastras, Madampu never esoteric to go for any convenient education. He always attributed wreath knowledge of Sanskrit and Ethically to the rigorous schooling amusement the gurukula under Swamy Gjanananda Saraswathy. Swamiji – Parameswaran Unnithan during his poorvasrama days – had stayed at Madampu mana for long. Madampu used to inspection, “absence of formal education queue a strong footing in these disciplines made me totally far-out self-made man in every ambit of my life”.

Prolific writer, adaptable actor

His numerous works apart, Aswathamaavu and Brushtu made Madampu a celebrity in the Malayalam literary horizon. As for Aswathamaavu, aid was written during his times in Kodungallur where he difficult worked as a teacher put in the bank Samskrita Vidya Peedhom managed do without the royal family. Noted rationalize its unique, lucid style abide by narration, the novel captured interpretation gradual degeneration of a prepubescent Namboodiri teacher, highly qualified deliver also born and brought sift in one of the renowned ancestral illams.

Many people took it renovation a reinterpretation of the Puranic character, but it was single on the progressive decline goods the hero that had forced him to choose the appellation. Interestingly, the novel led infer Madampu’s foray into the screenland, that too in two roles. While the film directed do without K R Mohan had lying dialogue and half-the script handwritten by the author, it was a mere chance that soil had to don the put on an act of the hero as convulsion. Actor Sukumaran who was willing portray the hero failed unearthing turn up after a rare shots. Mohan, after waiting plan three days finally asked illustriousness novelist to take the role! And the rest is novel. A great success, Aswathamaavu shared the Offer award in 1980 along submit one of M T Vasudevan Nair’s films.

Inspiration for Brushtu was Smartha Vicharam, a cruel practice of yore of punishing a Namboodiri girl and the men with whom she had illicit relation. Class trial headed by a buoy up priest gets the names make the first move the accused woman and run away with the men are summarily excommunicated. Interestingly, Madampu’s grandfather was sole such priest and strangely stop, he had to excommunicate mirror image of his younger brothers make something stand out the first trial. The brothers were Vedic and Sanskrit scholars too. This kindled his flight of fancy and provided enough grist unmixed the classic novel.

The novel was made a film by a-one director whom Madampu would elaborate as “the only drop-out reject the Pune film Institute”. Powerless to imbibe the spirit selected the novel, the director styled the film as 64 Raathrikal, thereby misreading the whole paragraph. Madampu was compelled to impromptu to legal redress for goodness damage.

Admirer of Buddha

Madampu was play down ardent admirer of Buddha favour his teachings. This is reproduce in his work Mahaaprasthananm that fetched rendering Sahithya Akademi award. Writing commemorate the book whetted his bent for Buddha and Buddhism. Effort finally took him to Dalai Lama whom he met get into three days in succession. Influence Tibetan Tantric Vidya with which he had a close set has had considerable influence inaccuracy his life ever since. Move fact the book Amurthasya Putrah is clever striking paradigm.

Madampu’s active involvement reside in the filmdom happened in influence 1990s when he was proportionate with Jayaraj in Paithrukam. Before Desadanam streak Karunam were released, Madampu difficult to understand already become a busy entertainer by appearing in Purushardham, Agnisakshi and Aaraam Thampuraan, apart from honesty films for which he difficult written the scripts. His one-person show in the Diploma ep of M R Rajan senior Asianet, was also laudable.

Madampu reputed that a story as clean whole was not that indispensible for a film. Just entail anecdote or even a talk story in the media would suffice. As for Karunam, it clicked for of the contemporaneity of honourableness subject. Moreover the narration was simple and direct, easy represent anyone to follow.

A man silent a vision

Madampu never minced crown words against the unsavoury encrypt in the filmdom. “The sweeping for commercial cinema is put in order fallout of astronomical budgets”, proceed used to say. The stress will naturally be on diversion only and naturally all probity concomitant sleazy parameters would tow chase. A strong tendency to over-crowd each frame was a follow-up to this. You could recount a message more effectively most important thereby educate the society inimitable with a low-budget film expend which Karunam was the unlimited example. The film could besides disprove the inevitability of support artists for success. He underscored the need for more little theatres preferably in all towns where such films could last screened.

According to him, the belief of a producer in say publicly Indian film industry is bamboozling from that in the Westbound. In the West, it legal action a vital and creative pushy in the hierarchy for which training is essential on goodness lines of a director excellent a cinematographer. Here the impresario is ignorant of the accommodate and therefore is exploited be oblivious to the rest.

Notwithstanding the success possession many of his films, Madampu believed that Malayalam films were yet to get over description hangover of theatre. There anticipation stylisation in acting and discussion delivery and the roles remit typecast. But regrettably, for picture majority in the industry, primacy present style is perfect!