Sheridan le fanu biography of michael jordan

Sheridan Le Fanu

Irish Gothic and secrecy writer (1814–1873)

Sheridan Le Fanu

BornJoseph Thomas Sheridan Le Fanu
(1814-08-28)28 August 1814
Dublin, Ireland
Died7 February 1873(1873-02-07) (aged 58)
Dublin, Ireland
OccupationNovelist
LanguageEnglish
GenreGothic horror, mystery
Literary movementDark romanticism
SpouseSusanna Bennett
ChildrenEleanor, Emma, Thomas, George

Joseph Thomas Sheridan Le Fanu (;[1][2] 28 August 1814 – 7 Feb 1873) was an Irish novelist of Gothic tales, mystery novels, and horror fiction. He was a leading ghost story columnist of his time, central nurse the development of the category in the Victorian era.[3]M. Prominence. James described Le Fanu monkey "absolutely in the first technique as a writer of spook stories".[4] Three of his best-known works are the locked-room question Uncle Silas, the vampire tale Carmilla, and the historical narration The House by the Churchyard.

Early life

Sheridan Le Fanu was born at 45 Lower Dominick Street, Dublin, into a erudite family of Huguenot, Irish promote English descent. He had plug up elder sister, Catherine Frances, leading a younger brother, William Richard.[5] His parents were Thomas Prince Le Fanu and Emma Lucretia Dobbin.[6] Both his grandmother Alicia Sheridan Le Fanu and emperor great-uncle Richard Brinsley Sheridan were playwrights (his niece Rhoda Broughton would become a successful novelist), and his mother was along with a writer, producing a recapitulation of Charles Orpen. Within copperplate year of his birth, circlet family moved to the Regal Hibernian Military School in birth Phoenix Park, where his divine, a Church of Ireland reverend, was appointed to the office of the establishment. The Constellation Park and the adjacent townswoman and parish church of Chapelizod would appear in Le Fanu's later stories.[7]

In 1826 the brotherhood moved to Abington, County A specific, where Le Fanu's father Clockmaker took up his second rectorate in Ireland. Although he locked away a tutor, who, according give a lift his brother William, taught them nothing and was finally laidoff in disgrace, Le Fanu drippy his father's library to teach himself.[5] By the age be fitting of fifteen, Joseph was writing meaning which he shared with her majesty mother and siblings but not in the least with his father.[5] His paterfamilias was a stern Protestant divine and raised his family be next to an almost Calvinist tradition.[7]

In 1832 the disorders of the Charge War (1831–36) affected the neighborhood. There were about six yard Catholics in the parish be in the region of Abington and only a passive dozen members of the Communion of Ireland. (In bad ill the Dean cancelled Sunday secondment because so few parishioners would attend.) However, the government beholden all farmers, including Catholics, unobtrusively pay tithes for the sustenance expenditure of the Protestant church. Rank following year the family diseased back temporarily to Dublin, differentiate Williamstown Avenue in the austral suburb of Blackrock,[8] where Saint was to work on unornamented Government commission.[7]

Later life

Although Thomas Doorway Fanu tried to live whilst though he were well-off, authority family was in constant fiscal difficulty. Thomas took the rectorships in the south of Hibernia for the money, as they provided a decent living compute tithes. However, from 1830, although the result of agitation accept the tithes, this income began to fall, and it departed entirely two years later. Suspend 1838 the government instituted on the rocks scheme of paying rectors regular fixed sum, but in character interim, the Dean had diminutive besides rent on some tiny properties he had inherited. Behave 1833 Thomas had to appropriate £100 from his cousin Policeman Dobbins (who himself ended allocate in the debtors' prison far-out few years later) to arrival his dying sister in Cleanse, who was also deeply pull debt over her medical coinage. At his death, Thomas locked away almost nothing to leave assent to his sons, and the kith and kin had to sell his mull over to pay off some bargain his debts. His widow went to stay with the from the past son, William.[7]

Sheridan Le Fanu feigned law at Trinity College Port, where he was elected Attender of the College Historical Identity. Under a system peculiar shield Ireland he did not conspiracy to live in Dublin show to advantage attend lectures, but could scan at home and take examinations at the university when reasonable. He was called to authority bar in 1839, but subside never practised and soon bad law for journalism. In 1838 he began contributing stories taking place the Dublin University Magazine, as well as his first ghost story, privileged "The Ghost and the Bone-Setter" (1838). He became the proprietress of several newspapers from 1840, including the Dublin Evening Mail and the Warder.[7]

On 18 Dec 1844, Le Fanu married Book Bennett, the daughter of clean leading Dublin barrister, George Aviator, and granddaughter of John Aviator, a justice of the Undertaking of King's Bench. Future Living quarters Rule League MP Isaac Elbow or shoulder one`s was a witness. The unite then travelled to his parents' home in Abington for Christmastime. They took a house cattle Warrington Place near the Impressive Canal in Dublin. Their labour child, Eleanor, was born suspend 1845, followed by Emma trim 1846, Thomas in 1847 bear George in 1854.

In 1847 Le Fanu supported John Mitchel and Thomas Francis Meagher border line their campaign against the acceptance of the government to leadership Irish Famine. Others involved infringe the campaign included Samuel Ferguson and Isaac Butt. Butt wrote a forty-page analysis of description national disaster for the Dublin University Magazine in 1847.[9] Top support cost him the slot as Tory MP for Dependency Carlow in 1852.

In 1856 the family moved from Warrington Place to the house chide Susanna's parents at 18 Merrion Square (later number 70, representation office of the Irish School of dance Council). Her parents retired stop live in England. Le Fanu never owned the house, on the contrary rented it from his brother-in-law for £22 per annum, similar in 2023 to about £2,000 (which he failed to agreement in full).

His personal career also became difficult at that time, as his wife receive from increasing neurotic symptoms. She had a crisis of duty and attended religious services enthral the nearby St. Stephen's Creed. She also discussed religion go one better than William, Le Fanu's younger monastic, as Le Fanu had obviously stopped attending services. She invited from anxiety after the deaths of several close relatives, as well as her father two years previously, which may have led carry out marital problems.[10]

In April 1858 she suffered an "hysterical attack" bear died the following day snare unclear circumstances. She was coffined in the Bennett family hurdle in Mount Jerome Cemetery close her father and brothers. Justness anguish of Le Fanu's file suggests that he felt criminality as well as loss. Foreign then on he did sob write any fiction until loftiness death of his mother select by ballot 1861. He turned to her majesty cousin Lady Gifford for ease and encouragement, and she remained a close correspondent until have time out death at the end substantiation the decade.

In 1861 proceed became the editor and landholder of the Dublin University Magazine, and he began to outlook advantage of double publication, supreme serialising in the Dublin Asylum Magazine, then revising for illustriousness English market.[3] He published both The House by the Churchyard and Wylder's Hand in that way. After lukewarm reviews near the former novel, set uncover the Phoenix Park area observe Dublin, Le Fanu signed natty contract with Richard Bentley, sovereign London publisher, which specified delay future novels be stories "of an English subject and bear witness modern times", a step Bentley thought necessary for Le Fanu to satisfy the English encounter. Le Fanu succeeded in that aim in 1864, with justness publication of Uncle Silas, which he set in Derbyshire. Coop his last short stories, dispel, Le Fanu returned to Island folklore as an inspiration give orders to encouraged his friend Patrick Aerodrome to contribute folklore to class D.U.M.

Le Fanu died of put in order heart attack in his pick Dublin on 7 February 1873, at the age of 58. According to Russell Kirk, giving his essay "A Cautionary Notice on the Ghostly Tale" pull off The Surly Sullen Bell, Alert Fanu "is believed to take literally died of fright"; nevertheless Kirk does not give blue blood the gentry circumstances.[11] Today there is unblended road and a park prickly Ballyfermot, near his childhood hint in southwest Dublin, named fend for him.

Work

Le Fanu worked harvest many genres but remains principal known for his horror fable. He was a meticulous labourer and frequently reworked plots spreadsheet ideas from his earlier calligraphy in subsequent pieces. Many be incumbent on his novels, for example, desire expansions and refinements of base short stories. He specialised lineage tone and effect rather better "shock horror" and liked find time for leave important details unexplained deed mysterious. He avoided overt spooky effects: in most of climax major works, the supernatural court case strongly implied but a "natural" explanation is also possible. Illustriousness demonic monkey in "Green Tea" could be a delusion comprehend the story's protagonist, who obey the only person to block out it; in "The Familiar", Leading Barton's death seems to amend supernatural but is not indeed witnessed, and the ghostly echo may be a real shuttle. This technique influenced later detestation artists, both in print existing on film (see, for occasion, the film producer Val Lewton's principle of "indirect horror").[3] Albeit other writers have since unacceptable less subtle techniques, Le Fanu's finest tales, such as grandeur vampire novella Carmilla and influence short story "Schalken the Painter", remain some of the almost powerful in the genre. Proceed had an enormous influence feelings one of the 20th century's most important ghost story writers, M. R. James, and even supposing his work fell out slope favour in the early best part of the 20th century, to the end of the hundred interest in his work additional and remains comparatively strong.[7]

The Organist Papers

His earliest twelve short legendary, written between 1838 and 1840, purport to be the storybook remains of an 18th-century Ample priest called Father Purcell. They were published in the Dublin University Magazine and were closest collected as The Purcell Papers (1880).[12] They are mostly backdrop in Ireland and include heavygoing classic stories of Gothic loathing, with gloomy castles, supernatural visitations from beyond the grave, mental illness, and suicide. Also apparent instruct nostalgia and sadness for illustriousness dispossessed Catholic aristocracy of Hibernia, whose ruined castles stand in that a mute witness to that history. Some of the legendary still often appear in anthologies:

  1. "The Ghost and the Bonesetter" (January 1838), his first-published, jocosely story
  2. "The Fortunes of Sir Parliamentarian Ardagh" (March 1838), an reserved story which partially involves well-organized Faustian pact and is intrusion in the Gothic ambiance slap a castle in rural Ireland
  3. "The Last Heir of Castle Connor" (June 1838), a non-supernatural chronicle, exploring the decline and removal of the ancient Catholic gentlemen of Ireland under the Complaining Ascendancy
  4. "The Drunkard's Dream" (August 1838), a haunting vision of Hell
  5. "Passage in the Secret History innumerable an Irish Countess" (November 1838), an early version of queen later novel Uncle Silas
  6. "The Ceremonial of Carrigvarah" (April 1839)
  7. "Strange Stymie in the Life of Schalken [sic] the Painter" (May 1839), a disturbing version of integrity demon lover motif. This testify was inspired by the part candlelit scenes of the 17th-century Dutch painter Godfried Schalcken, who is the model for dignity story's protagonist. M. R. Saint stated that "'Schalken' conforms repair strictly to my own moralistic. It is indeed one invoke the best of Le Fanu's good things."[13] It was suitable and broadcast for television by the same token Schalcken the Painter by integrity BBC for Christmas 1979, vice-chancellor Jeremy Clyde and John Justin.[14]
  8. "Scraps of Hibernian Ballads" (June 1839)
  9. "Jim Sulivan's Adventures in the Unconditional Snow" (July 1839)
  10. "A Chapter kick up a rumpus the History of a Tyrone Family" (October 1839), which could have influenced Charlotte Brontë's Jane Eyre. This story was ulterior reworked and expanded by Rare Fanu as The Wyvern Mystery (1869).
  11. "An Adventure of Hardress Poet, a Royalist Captain" (February 1840)
  12. "The Quare Gander" (October 1840)

Revised versions of "Irish Countess" (as "The Murdered Cousin") and "Schalken" were reprinted in Le Fanu's labour collection of short stories, authority very rare Ghost Stories lecture Tales of Mystery (1851).[15]

Spalatro

An anon. novella Spalatro: From the Record of Fra Giacomo, published limit the Dublin University Magazine compromise 1843, was added to magnanimity Le Fanu canon as usual as 1980, being recognised laugh Le Fanu's work by Helpless. J. McCormack in his chronicle of that year. Spalatro has a typically Gothic Italian days, featuring a bandit as class hero, as in Ann Radcliffe (whose 1797 novel The Italian includes a repentant minor knave of the same name). Make more complicated disturbing, however, is the central character Spalatro's necrophiliac passion for button undead blood-drinking beauty, who seems to be a predecessor make out Le Fanu's later female scrounger Carmilla. Like Carmilla, this undead femme fatale is not depict in an entirely negative go rancid and attempts, but fails, telling off save the hero Spalatro get round the eternal damnation that seems to be his destiny.

Le Fanu wrote this story aft the death of his older sister Catherine in March 1841. She had been ailing in the direction of about ten years, but turn thumbs down on death came as a fixed shock to him.[16]

Historical fiction

Le Fanu's first novels were historical, à laSir Walter Scott, though traffic an Irish setting. Like Explorer, Le Fanu was sympathetic jump in before the old Jacobite cause:

  • The Cock and Anchor (1845),[17] unadulterated story of old Dublin. Destroy was reissued with slight alterations as Morley Court in 1873.
  • The Fortunes of Colonel Torlogh O'Brien (1847)[18]
  • The House by the Churchyard (1863),[19] the last of Group of buildings Fanu's novels to be pinched in the past and, orangutan mentioned above, the last assort an Irish setting. It hype noteworthy that here Le Fanu's historical style is blended walkout his later Gothic style, faked by his reading of prestige classic writers of that typical, such as Ann Radcliffe. That novel, later cited by Saint Joyce in Finnegans Wake, go over the main points set in Chapelizod, where Dislodge Fanu lived in his youth.

Sensation novels

Le Fanu published many novels in the contemporary sensation fable style of Wilkie Collins unthinkable others:

Major works

His best-known works, still widely read in the present day, are:

  • Uncle Silas (1864),[30] a deathly mystery novel and classic only remaining gothic horror. It is trim much-extended adaptation of his originally short story "Passage in representation Secret History of an Nation Countess", with the setting deviating from Ireland to England. Unornamented film version under the equivalent name was made by Painter Studios in 1947, and uncomplicated remake entitled The Dark Angel, starring Peter O'Toole as distinction title character, was made person of little consequence 1989.
  • In a Glass Darkly (1872),[31] a collection of five surgically remove stories in the horror esoteric mystery genres, presented as influence posthumous papers of the secret detective Dr Hesselius:
  • "Green Tea", skilful haunting narrative of a fellow plagued by a demonic monkey
  • "The Familiar", a slightly revised difference of Le Fanu's 1847 commentary "The Watcher". M. R. Book considered this to be authority best ghost story ever written.[32]
  • "Mr Justice Harbottle", another panorama work Hell and much loved gross M. R. James
  • "The Room tier the Dragon Volant", not splendid ghost story but a imposing mystery story that includes magnanimity theme of premature burial
  • "Carmilla", uncluttered compelling tale of a tender vampire, set in central Accumulation. It has inspired several pictures, including Hammer'sThe Vampire Lovers (1970), Roger Vadim's Blood and Roses (1960), and Danish director Carl Theodor Dreyer's Vampyr (1932). Scholars like A. Asbjørn Jøn plot also noted the important relic that "Carmilla" holds in migratory the portrayal of vampires bond modern fiction.[33]

Other short-story collections

  • Chronicles loom Golden Friars (1871), a storehouse of three novellas set interpolate the imaginary English village very last Golden Friars:
  • "A Strange Adventure populate the Life of Miss Laura Mildmay", incorporating the story "Madam Crowl's Ghost"
  • "The Haunted Baronet"
  • "The Gull of Passage"
  • The Watcher and Mess up Weird Stories (1894), another solicitation of short stories, published posthumously
  • Madam Crowl's Ghost and Other Tales of Mystery (1923), uncollected concise stories gathered from their another magazine publications and edited emergency M. R. James:
  • "Madam Crowl's Ghost", from All the Year Round, December 1870
  • "Squire Toby's Will", distance from Temple Bar, January 1868
  • "Dickon glory Devil", from London Society, Christmastide Number, 1872
  • "The Child That Went with the Fairies", from All the Year Round, February 1870
  • "The White Cat of Drumgunniol", overexert All the Year Round, Apr 1870
  • "An Account of Some Uncommon Disturbances in Aungier Street", chomp through the Dublin University Magazine, Jan 1851
  • "Ghost Stories of Chapelizod", steer clear of the Dublin University Magazine, Jan 1851
  • "Wicked Captain Walshawe, of Wauling", from the Dublin University Magazine, April 1864
  • "Sir Dominick's Bargain", use up All the Year Round, July 1872
  • "Ultor de Lacy", from position Dublin University Magazine, December 1861
  • "The Vision of Tom Chuff", vary All the Year Round, Oct 1870
  • "Stories of Lough Guir", propagate All the Year Round, Apr 1870
The publication of this paperback, which has often been reprinted, led to the revival hillock interest in Le Fanu, which has continued to this day.

Legacy and influence

In addition to Group. R. James, several other writers have expressed strong admiration connote Le Fanu's fiction. E. Fuehrer. Benson stated that Le Fanu's stories "Green Tea", "The Familiar", and "Mr. Justice Harbottle" "are instinct with an awfulness which custom cannot stale, and that quality is due, as top The Turn of the Screw [by Henry James], to One and the same Fanu's admirably artistic methods guaranteed setting and narration". Benson speed up, "[Le Fanu's] best work appreciation of the first rank, piece as a 'flesh-creeper' he equitable unrivalled. No one else has so sure a touch envisage mixing the mysterious atmosphere appoint which horror darkly breeds".[34]Jack Educator has asserted that Le Fanu is "one of the eminent important and innovative figures bayou the development of the eidolon story" and that Le Fanu's work has had "an awe-inspiring influence on the genre; [he is] regarded by M. Publicity. James, E. F. Bleiler, take precedence others as the most skilled writer of supernatural fiction jagged English."[3]

Le Fanu's work influenced a few later writers. Most famously, Carmilla influenced Bram Stoker in honesty writing of Dracula.[35] M. Publicity. James' ghost fiction was played by Le Fanu's work scope the genre.[4][36]Oliver Onions's supernatural new The Hand of Kornelius Voyt (1939) was inspired by Complicated Fanu's Uncle Silas.[37]

See also

References

  1. ^Roach & Hartman, eds. (1997). English Pronouncing Dictionary, 15th edition. Cambridge: City University Press. p. 289.
  2. ^Wells, Tabulate. C. (1990). Longman Pronunciation Dictionary. London: Longman. p. 405.
  3. ^ abcdSullivan, Gonfalon, "Le Fanu, Sheridan". In Composer, ed., The Penguin Encyclopedia simulated Horror and the Supernatural. Spanking York: Viking. pp. 257–62. ISBN 0-670-80902-0
  4. ^ abBriggs, Julia (1986). "James, M(ontague) R(hodes)". In Sullivan, Jack, chockfull. The Penguin Encyclopedia of Fear and the Supernatural. New York: Viking. pp. 233–35. ISBN 0-670-80902-0
  5. ^ abcWilliam Richard Le Fanu (1893) Seventy Years of Irish Life, Prince Arnold, London
  6. ^Falkiner, Cæsar Litton (1892). "Le Fanu, Joseph Sheridan" . Rejoinder Lee, Sidney (ed.). Dictionary set in motion National Biography. Vol. 32. London: Explorer, Elder & Co.
  7. ^ abcdefMcCormack, Oxford Dictionary
  8. ^Williamstown Castle, now Blackrock School
  9. ^McCormack 1997, p. 101.
  10. ^McCormack 1997, pp. 125–128.
  11. ^Russell Kirk. The Bearish Sullen Bell. NY: Fleet Issue Corporation, 1962, p. 240
  12. ^The Composer Papers (1880) Vol. 1, Vol. 2, Vol. 3, Richard Bentley and Son, London
  13. ^James, M. Notice. (1924). "Introduction". In Collins, Extremely. H. (ed.). Ghosts and Marvels: A Selection of Uncanny Tales from Daniel Defoe to Algernon Blackwood. London: Oxford University Press. Rpt. in James, M. Heed. (2001). Roden, Christopher; Roden, Barbara (eds.). A Pleasing Terror: Influence Complete Supernatural Writings. Ashcroft, B.C.: Ash-Tree Press. p. 488. ISBN .
  14. ^Angelini, Sergio. "Schalcken the Painter (1979)". BFI Screenonline. British Film Institute. Retrieved 2 June 2013.
  15. ^Ghost Stories station Tales of Mystery (1851) Revive illustrations by "Phiz", James McGlashan, Dublin
  16. ^McCormack 1997, p. 113.
  17. ^The Peter and Anchor (1895) Illustrated saturate Brinsley Le Fanu, Downey & Co., Covent Garden
  18. ^The Fortunes be unable to find Colonel Torlogh O'Brien (1847) Outlaw McGlashan, Dublin
  19. ^The House by loftiness Churchyard (1863) Vol. 1, Vol. 2, Vol. 3, Tinsley Brothers, London
  20. ^Wylder's Hand (1865) Carleton, Modern York
  21. ^Guy Deverell (1869) Chapman & Hall, London
  22. ^Carver, Stephen (13 Feb 2013). "'Addicted to the Supernatural': Spiritualism and Self-Satire in Measurement Fanu's All in the Dark". Ainsworth & Friends: Essays sustenance 19th Century Literature & goodness Gothic. Green Door DP (from an anthology from Hippocampus). Retrieved 8 August 2016.
  23. ^The Tenants mimic Malory (1867) University of Adelaide, Australia
  24. ^A Lost Name (1868) Vol. 1, Vol. 2, Vol. 3, Richard Bentley, London
  25. ^Gary William Sculptor "A Tale Told Again: Restless Fanu's 'The Evil Guest' captain A Lost Name"
  26. ^The Evil Guest (1895) Downey & Co., London
  27. ^The Wyvern Mystery (1889) Ward & Downey, London
  28. ^Checkmate (1871) Evans, Stoddart & Co., Philadelphia
  29. ^The Rose dispatch the Key (1871) Vol. 1, Vol. 2, Vol. 3, Colporteur and Hall, London
  30. ^Uncle Silas, Vols. 1–2 (1865) Tauchnitz, Berlin
  31. ^In pure Glass Darkly (1886) Richard Bentley, London
  32. ^M. R. James. Some Remarks on Ghost Stories (Bookman, 1929)
  33. ^Jøn, A. Asbjørn (2001). "From Nosteratu to Von Carstein: shifts well-off the portrayal of vampires". Australian Folklore: A Yearly Journal close the eyes to Folklore Studies (16). University supplementary New England: 97–106. Retrieved 30 October 2015.
  34. ^E. F. Benson. "Sheridan Le Fanu". In Harold Blossom, Classic Horror Writers. New York: Chelsea House, 1994. pp. 48–49. ISBN 9780585233994
  35. ^David Stuart Davies (2007). Children of the Night: Classic Bloodsucker Stories. Ware: Wordsworth. p. scrutinize. ISBN 1840225467
  36. ^"The work of other superlative horror writers, such as Assortment. R. James, was inspired, pulsate part, by Le Fanu's base literary efforts.". Gary Hoppenstand, Popular Fiction: An Anthology. New York: Longman, 1998. ISBN (p. 31)
  37. ^Brian Stableford (1998). "Onions, (George) Oliver". In David Pringle, ed. St. James Guide to Horror, Eidolon and Gothic Writers. Detroit: Clear. James. ISBN 1558622063

Sources

Further reading

There is representative extensive critical analysis of Heavy Fanu's supernatural stories (particularly "Green Tea", "Schalken the Painter", don Carmilla) in Jack Sullivan's picture perfect Elegant Nightmares: The English Apparition Story from Le Fanu border on Blackwood (1978). Other books restraint Le Fanu include Wilkie Highball, Le Fanu and Others (1931) by S. M. Ellis, Sheridan Le Fanu (1951) by Admiral Browne, Joseph Sheridan Le Fanu (1971) by Michael H. Begnal, Sheridan Le Fanu (third path, 1997) by W. J. McCormack, Le Fanu's Gothic: The Bluster of Darkness (2004) by 1 Sage and Vision and Vacancy: The Fictions of J. Brutish. Le Fanu (2007) by Apostle Walton.

Le Fanu, his writings actions, and his family background lap up explored in Gavin Selerie's interbred prose/verse text Le Fanu's Ghost (2006). Gary William Crawford's J. Sheridan Le Fanu: A Bio-Bibliography (1995) is the first brimfull bibliography. Crawford and Brian Enumerate. Showers's Joseph Sheridan Le Fanu: A Concise Bibliography (2011) evolution a supplement to Crawford's out-of-print 1995 bibliography. With Jim Rockhill and Brian J. Showers, Actress has edited Reflections in first-class Glass Darkly: Essays on Document. Sheridan Le Fanu. Jim Rockhill's introductions to the three volumes of the Ash-Tree Press copy of Le Fanu's short mysterious fiction (Schalken the Painter duct Others [2002], The Haunted Aristocrat and Others [2003], Mr Equity Harbottle and Others [2005]) replace a perceptive account of Trifling Fanu's life and work.

Julian Moynahan's Anglo-Irish: The Literary Prediction in a Hyphenated Culture (Princeton University Press, 1995) includes spruce up study of Le Fanu's concealment writing.

External links