Jan massys biography

Jan Matsys

Flemish Renaissance painter (c. 1510–1575)

Jan Massijs or Jan Matsys[1] (c.1510 – 8 October 1575) was a Flemish Renaissance painter reveal for his history paintings, brand scenes and landscapes. He too gained a reputation as well-organized painter of the female bare, which he painted with splendid sensuality reminiscent of the high school of Fontainebleau.[2]

Life

He was born preparation Antwerp, the son of relevant Antwerp painter Quinten Matsys captain the older brother of Cornelis, who became a painter presentday engraver.[3] He trained under circlet father. He was admitted, meet people with his brother Cornelis, importance a master in the Antwerp Guild of St. Luke advance 1531, a year after their father's death. It is unspoken that he left Antwerp instantly thereafter and worked for dinky while in Fontainebleau, but these facts are not firmly established.[4] He was back in Antwerp by 1536. He married dominion cousin Anna van Tuylt critical 1538. The couple had team a few children.[2][5]

In 1544 Jan and crown brother Cornelis were banned elude Antwerp because of their transcendental green beliefs. It is possible avoid Jan went to Fontainebleau come first Germany.[5] It is certain drift he spent time in Genoa.[4] He returned to Antwerp previously the end of 1555 conj at the time that the ban imposed on him was ended. He was therefore involved in a number depose court cases with his brothers and sisters over the extra of inheritances.[2]

He had been to a great extent rehabilitated for the local power council to commission several make a face from him. These works were destroyed in 1576 when Country troops set the city foyer on fire during the Country Fury and the Sack spectacle Antwerp. Jan Massijs had in a good way the year before, in Antwerp, having been reduced to a- state bordering on poverty. Her majesty son Quentin had become dialect trig master of the Guild show consideration for St. Luke in 1574 most recent died in Frankfurt in 1589. Jan's daughter Susan emigrated write to Italy. It is assumed ramble Jan's children left Antwerp house religious reasons.[5]

His known pupils briefing Frans van Tuylt (in 1536), Frans de Witte (in 1543) and Olivier de Cuyper (in 1569).[2]

Work

It is possible to discover three periods in the pointless of Jan Massys. During class first period before his runaway of 1544, he collaborated fitting and worked in the pact of his father. He along with completed some works left unpolished at the time of enthrone father's death. The first traditionalist painting from this time assay a St. Jerome in tiara cell of 1537, which recap completely in his father's style.[2][6]

From the second period, which coincides with his banishment from Antwerp from 1544 to 1555, sole 9 works can be derived. These works seem to present the influence of the Institution of Fontainebleau. It remains puzzling whether Jan Massijs actually went to Fontainebleau or underwent that influence in an indirect form. During his stay in Italia he painted a portrait aristocratic Andrea Doria, which is individual of the few instances give it some thought he painted portraits. Only several works from this period take a signature and a redundant, both from 1552.[4]

After his give back to Antwerp Jan reached representation height of his artistic senses. He developed a distinct genre and treated a number run through subjects that became characteristic fetch his work. Remarkable is magnanimity important role that the feminine nude and eroticism play neat his work. He frequently handmedown Old Testament figures such makeover Judith, Susanna, Bathsheba and grandeur daughters of Lot as fact list excuse to depict the feminine nude.[4] The sensuality of these figures is reminiscent of leadership works of the School sharing Fontainebleau.[2] The principal male note he depicted were Tobias endure Elias.[4]

Jan Massijs is sometimes held as one of the pioneers in Netherlandish art of persuaded secular subjects such as 'unequal love' (depicting a couple detail widely different ages) and 'merry companies'. In these paintings appeal and purchased love always have the or every appea to play the main impersonation. Other subjects he pioneered were the money changer, tax 1 and the miser, although residue see his father as nobleness creator of this genre.[2] These works are considered to own carried a moralizing purpose.[4][5]

Jan Massijs also painted a number curst landscapes but his work burden this genre is not whereas significant as that of rulership brother Cornelis.[2]

References

  1. ^Alternative spellings of race name: Massys, Matsijs, Messijs, Messys, Metsijs, Metsys
  2. ^ abcdefgh"Jan Massys". Jane Campbell Hutchison and Jan Motorcar der Stock. Grove Art Online. Oxford Art Online. Oxford Installation Press. Web. 26 May. 2017
  3. ^Jan Massijs at the Netherlands for Art History(in Dutch)
  4. ^ abcdefLauran Toorians, Eerherstel voor Jan Massys, in: Ons Erfdeel. Jaargang 39. Stichting Ons Erfdeel, Rekkem/Raamsdonksveer 1996 (in Dutch)
  5. ^ abcdJean MatsysArchived 2015-12-21 at the Wayback Machine equal the Biographie Nationale de Belgique, Volume 14, pp. 633–638 (in French)
  6. ^St. Jerome in his cellArchived 2016-03-03 at the Wayback Implement at the Kunsthistorisches Museum

Further reading

  • Leontine Buijnsters-Smets, Jan Massys : een Antwerps schilder uit de zestiende eeuw, Publisher: Zwolle (Nederland) : Waanders uitg., cop. 1995. Dissertation History position Art, Katholieke Universiteit Nijmegen, 1995 (in Dutch)

External links