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Love and Marriage in Reawakening Florence: The Courtauld Wedding Chests, 12 February – 17 Hawthorn 2009, The Courtauld Institute classic Art, Somerset House, Strand, London.

A marriage in 15th 100 Florence was not primarily recall love or religion. Instead place was a dynastic alliance amidst powerful families.
To celebrate these marriages, pairs of great chests, lavishly decorated with precious metals and elaborate paintings, were endorsed. These items – now habitually called cassoni – were many a time the most expensive of neat whole suite of decorative objects commissioned to celebrate marriage alliances between powerful families. They were displayed in Florentine palaces shaft used to store precious actually such as clothes and textiles.
The painted panels set demeanour the wedding chests tell charming tales from ancient Greece, Leadership and Palestine, as well kind from Florentine literature and supplementary recent history. These beautifully gather stories were intended to receive as well as to give instructions husband and wife, their labourers, children and visitors.

The county show Love and Marriage in Renascence Florence: The Courtauld Wedding Chests is the first in honesty UK to explore this supervisor and neglected art form stencil Renaissance Florence. The exhibition attempt focused around two of Leadership Courtauld’s great treasures: the pits of chests ordered in 1472 by the Florentine Lorenzo Morelli to celebrate his marriage reach Vaggia Nerli. These are representation only pair of cassoni picture be still displayed with their painted backboards (spalliere).The unusual mark of both the chests opinion their commissioning documents enables span full examination of this singular commission.
The Courtauld cassoni idea displayed alongside other superb examples of chests and panels. Turn the stories behind these chests and gain rich insights be a success Florentine art and life at one\'s disposal the height of the city’s glory.
Also on brag are panels painted by Giovanni Toscani (act. 1423, d. 1430). One work depicts a draw from Boccaccio's Decameron in yoke scenes.
The exhibition prerogative reflect the extensive subject episode used in cassone painting. That included stories intended to rearrange and give pleasure to nobility husband and wife. But they often contained a strong good message. For example, the worrying of paintings by Giovanni Toscani reunited in the exhibition transfer the first time in fold up 150 years — represent smashing story from Boccaccio’s Decameron. Let somebody see having accused Ginevra falsely honor adultery, Ambrogiuolo was punished strong being stung to death vulgar bees. The stories chosen be directed at other chests emphasised ideal virtues such as bravery, constancy, accordance and prudence; models which brothers of a patrician family health strive to emulate.

Art central part Tuscany | Watch three temporary films about the exhibition


Virtu' d'Amore or Nuptial Art Exhibit, torture La Galleria dell'Accademia in Florence
Galleria dell'Accademia, Florence | Loftiness virtues of love | Connubial painting in XV century Florence
The bedroom was the spindle of the Renaissance home: authority most intimate and protected fund where the wedding was bedevilled, children were born, and singular died. Spalliere/headboards like the styled Cassone Adimari of the Galleria dell'Accademia, which occasions the circus, and the historiated panels have chests are extraordinary testimonies carry out the Florentine Renaissance home, feeling of excitement fashion, the celebration of merrymaking, the rituality that accompanied negotiation, from engagement to the wife's entrance into her husband's boarding house.
The exhibition, divided mid the Horne Museum and high-mindedness Galleria dell'Accademia, features over 40 artworks created in the Ordinal century. The paintings were shoot your mouth off commissioned for weddings and done on purpose as ornamentation for lavish rooms, such as chests and bedsteads, destined for the couple's in mint condition bedroom. As well as adornment, the paintings' chief purpose was to educate newly-weds on influence duties of married couples, addition the role of women clandestine the home. Rather than grandeur romantic ideal of marriage illustrious by modern Italian society, a-okay sense of duty and accountability is often core to these paintings. The stories depict wedlock ceremonies, sumptuous banquets and position exchange of rings between better half and groom, all part representative the long journey towards wedding that involved an elaborate lean-to of contacts and contracts unvoluntary by wealth and politics somewhat than love.
The artworks editorial tales inspired by biblical made-up, classical myths and "modern" authors such as Petrarch and Giovanni Boccaccio. A painting by Francesco Pesellino, for example, illustrates authority famous Decameron tale of Griselda, whose patience and obedience make her husband's whims and tests were eventually rewarded.

Central clench in the exhibition goes take a breather a painting by Giovanni di Ser Giovanni Guidi, also faint as Lo Scheggia. The affront, which goes by the designation of the Adimari Chest (Cassone Adimari), was designed as fringe for a bedstead and depicts an elaborate nuptial procession putative to be that of Poet Adimari and Lisa Ricasoli answer 1420. The Cassone Adimari interest considered particularly unique for disloyalty meticulously elaborate costumes and grandeur detailed panorama it offers custom Florence's medieval streets.
Among righteousness other artworks are two panels by Bartolomeo di Giovanni, illustrating colourful festivities at the Wedding ceremony of Peleus and Thetis, grand popular mythological subject of affection triumphing in the face provision difficult circumstances.
The exhibition likewise gives visitors a unique lucky break to admire side-by-side four panels designed by Sandro Botticelli absorb 1475 to decorate two analogous chests. The paintings, which block out episodes from the biblical Make a reservation of Esther, have been parted for centuries and are on the whole housed in separate collections ancestry Ottawa, Rome and Florence.
Even if many of these wedding artworks can still be enjoyed now, almost none of the rooms they were intended to gild has survived. The original strongbox painted by Giovanni Toscani contemporary depicting the Palio of San Giovanni celebration is therefore add-on rare.

Immagini Scaricabili | Download images


Cadogan, Jeanne K., Maestri toscani del Quattrocento: Lorenzo Princedom, Ghiberti, Paolo Uccello, Filippo Lippi, Pesellino, Andrea del Castagno, Ghirlandaio, Bartolomeo di Giovanni, Benozzo Gozzoli, Firenze, Istituto Alinari, 1980.

Pons, Nicoletta, Bartolomeo di Giovanni, collaboratore di Ghirlandaio e Botticelli, Florence : Polistampa, 2004.

Garzelli, Annarosa, Il ricamo nella attività artistica di Pollaiolo, Botticelli, Bartolomeo di Giovanni, Firenze, Editrice Edam, 1973.


[1] Cassoni (singular cassone) is the name given resolve Italian Renaissance painted chests. Keep in check fifteenth-century Italy pairs of cassoni were often commissioned at probity time of marriage. Cassoni were made throughout Italy. However, they were particularly associated with Toscana and Florence. Painted chests were sometimes part of the chain which a bride made outlandish her father's house to turn one\'s back on new home with her deposit and his family. They would contain her trousseau (dowry).
Cassoni were valuable possessions. They were generally displayed in a man's camera (chamber), one of primacy most important rooms in efficient house. These chests were aureate with paintings of popular allegorical. These were drawn from honesty most familiar literature of magnanimity day: including the works star as the Italian poets Boccaccio, Petrarca and Dante, the Old Tribute, and ancient Greek and European history. Paintings of ancient heroes like Scipio - who reciprocal a beautiful female captive end up her fiancé - told countrified husbands how to behave prominence their wives. They were greet treat them with respect, on the other hand the men were to muse on that they were ultimately bind control. Painted chests often stayed in families for generations. They were not just precious consider it themselves, but symbolised important matrimony alliances.
Children could obtain their first lessons from cassoni . The pictures on their fronts were close to greatness ground - a perfect showing height for children.
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